Dr. Herman Asarnow

English 107G Fall 2001

College Writing

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Painters' Self-Portraits

As you visit the following pages and view the self-portraits painted by these vivid personalities, resist assuming that each is simply a record of the artist's self at that time, merely a record of a single, simple, aging self. Rather, consider that each portrait can be viewed as an act of self-creation. A self-portrait is an autobiographical statement that asserts this is me! But at the same time it is also a work of art and not simply life itself.

A self-portrait is a created object. To create it, the artist makes a series of choices (color, layout, kind of paint, brushstroke, detail, expression, etc.). And the choices could have been made differently. Indeed, all representations of self, in paint or in words, entail such choices. Implicitly, then, each portrait also can be seen as a projection of a chosen self the painter may have been trying on and chose to portray. So approach each painted self-portrait

Similarly, written autobiography, and the autobiographical presence in nearly all expository and argumentative writing, can be seen as willful acts of self-creation aimed at serving the purposes of its creator.

A painter uses paint, a certain surface, and the many complicated ingredients of paintings (perspective, figure, brushstroke, texture, etc.) to portray a self-image through a self-portrait--or to convey a certain character (the artist's self) underlying the image of any subject he or she paints. Thus we can be drawn to a certain painting because it is a Picasso or a Dürer or a Kahlo.

So, too, a writer uses the elements of his or her craft--words, tone, sentence structure, allusion, figures of speech, choice of examples and evidence, etc.) to project a self to his or her reader (in the case of pure autobiography)--or to underlie and make humanly appealing an argument or an explanation of some other subject taken from the world. Thus we say we liked reading the new Roth, the new Updike, the new DeLillo, or the new Lopez, thereby acknowledging that whatever the subject might be of a writer's work, it also conveys to its reader a very personal sense of the author behind the work. (In this regard, see the quotation by the painter Albrecht Dürer elsewhere in this site that asserts how the character of a creator is in all his or her creations, not simply the self-portraits.)

So entertain the idea that the public self--in writing, painting, or simply our actions in the world--arises from many possibilities. It is, or can be, a matter of choice as well as chance, a matter of free will as well as fate, a matter of one's own nurturing and creating as well as of the nurturing of others or of the biological inheritance passed on to us through our genes.

 Click on the printing press next to the images to reach each artist's page of thumbnail self-portraits. NOTE: These pages will load very slowly if viewed via a telephone modem. I recommend that you view them through a fast internet connection (T-1, or DSL, or cable). For my students the best place to view them will be at the computer labs at UP, or in a room that has direct connection to the UP campus network.

 

 Albrecht Dürer

 

Rembrandt Van Rijn

 

Vincent Van Gogh

 

Frida Kahlo

 

Pablo Picasso

 

Assignment 1

Assignment 1, Part II

 

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